About the Maker

Tatsumi Glass

Tatsumi Glass is a name associated with Japanese decorative art glass from the later mid-century period. Surviving pieces bearing the Tatsumi label provide a point of reference for collectors, but a detailed factory history has not been established from the sources consulted.

The relationship between the Tatsumi name, the factories producing the glass and its export distribution remains uncertain. It is therefore more accurate to retain that uncertainty than to assign a founding date, named designer or specific furnace without supporting documentation.

Labels are useful evidence, but generic export wording should be treated with care. The 'Best Art Glass, Foreign' label is recorded on Japanese glass associated with other makers, including Sanyu, and should not be treated as proof of Tatsumi manufacture on its own. Original Tatsumi branding and documented comparisons offer a firmer basis for attribution than colour or shape alone.

Read more about Japanese glass labels here.

About the Region

Japanese Glass

Japanese glass brings together a wide range of approaches, from practical tableware to expressive decorative objects and individually designed studio work. Its modern history is not a single story of export production: manufacturers developed different techniques, ranges and markets, with industrial glassmaking and handworked art glass existing alongside one another.

Among the distinctive forms associated with Japanese decorative glass of the mid-twentieth century are substantial vases and bowls with layered colour, clear outer casings and flowing, asymmetrical outlines. Pulled rims, twisting bodies and contrasting layers can give these pieces a strong sculptural presence. These are important strands of Japanese design, rather than features shared by every Japanese maker or period.

Iwatsu Glass is represented by its Hineri and Art Glass ranges, including twisting, lobed forms and prominently pulled rims. Sanyu Glass offers another approach to layered colour and decorative form. The individual histories of Hokuyo Glass, Multi Glass and Tajima Glass add further variety, and their collection pages provide more specific context.

Decorative glass developed alongside continued investment in everyday glassware. The histories of the companies that became Toyo-Sasaki, for example, document automated tumbler production and the development of toughened drinking glasses during the same post-war decades. This wider background matters when considering the diversity of Japanese glass, rather than treating all production as one export-led style.

Surviving paper and foil labels provide useful evidence when identifying Japanese glass, but their wording needs careful interpretation: a name may identify a maker, range, distributor or export brand. Labels can also be lost over time. Shape, colour, weight, pontils and base finishes do not, on their own, establish a particular maker. Attribution is strongest when surviving labels can be considered alongside contemporary catalogues and documented examples, with uncertainty made clear where the evidence remains limited.

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