Cristallo Venezia CCC (Murano, Italy) Art Glass 9" Centrepiece, in Green/Gold

$0.85 AUD
$0.85 AUD
$1.00 AUD
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This particular centrepiece, in its glorious green and honey gold pairing, is featured in a leaf style. The colours are layered in clear glass, creating this gorgeous combination of colour.

It's in excellent condition too. There is no major wear, just some air bubbles in the glass from the manufacturing process. It retains part of its original foil label on the base.

Dimensions 7cm (3") tall, 23cm (9") wide.

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Orders can be collected from our Newtown showroom during opening times. An email will be sent when your order is ready for collection.

Our address is:
8 King Street, Newtown NSW 2042 

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About the Maker

Cristallo Venezia CCC

Cristallo Venezia CCC is a name recorded on surviving labels attached to Italian art glass associated with Murano. Its documented company history remains limited, and much of the information used by collectors comes from labelled objects and comparisons between related designs. Precise operating dates, individual glassmakers and the organisation behind the label should therefore be treated cautiously.

Labelled examples include sculptural bowls and fish figures. Bowls associated with the name often feature submerged layers of colour, usually described as sommerso, together with substantial clear glass, curled or cut-out rims and, on some examples, a star-shaped base. These are useful comparison points, rather than features exclusive to one factory.

Known foil labels read “Cristallo Venezia” with “CCC” in a banner beneath. A closely related label reads “Artistica Murano CCC”. Their similarity suggests a connection, but does not by itself establish the precise business relationship, a name-change date or that every object carrying either label came from the same workshop.

Care is particularly important with unlabelled glass. The specialist Glass Encyclopaedia explicitly describes much of the attribution in this area as speculative and notes similar work by Formia and Ferro & Lazzarini. A star-shaped base or familiar colour combination alone is not enough to authenticate a maker.

For collectors, the appeal lies in the glass itself and the opportunity to compare surviving examples. Original labels and reliable documented matches provide stronger evidence than style alone; uncertain attributions should remain clearly qualified.

Read more about recorded CCC labels and attribution limitations here.

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About the Region

Murano Glass

Murano, a group of islands in the Venetian Lagoon, has been a major centre of glassmaking for centuries. Its history encompasses delicate vessels, elaborate decoration and sculptural art glass, with techniques and designs developed by many different workshops rather than a single uniform style.

In 1291, the Venetian authorities ordered glass production to move to Murano to reduce the risk of fires from furnaces in Venice. Over subsequent centuries, the island's glassmakers developed and refined methods that became influential far beyond the lagoon. This long history provides the background to the inventive forms and colour combinations associated with twentieth-century Murano glass.

During the mid-century decades, established skills were adapted to modern interiors through sculptural bowls, vases, centrepieces and animal figures. Some designs emphasised substantial bodies and flowing outlines; others explored lighter forms, surface decoration or intricate pattern. The variety is an important part of Murano's appeal, and no one shape or finish defines everything made there.

Techniques encountered in this collecting area include sommerso, in which layers of glass are enclosed within further layers, and bullicante, with deliberately arranged bubbles. Avventurina glass contains sparkling copper crystals that can appear golden; this is distinct from decoration using actual gold leaf. These techniques are useful descriptive terms, but their presence alone does not establish a maker or place of manufacture.

Related collections include Fratelli Toso, Formia Glass and Oball Glass, alongside glass bearing the Cristallo Venezia CCC brand. Individual collection pages distinguish documented maker histories from the more limited evidence available for some labels and commercial brands.

Labels, signatures, contemporary catalogues and documented comparisons can all contribute to attribution. A generic 'Murano Glass, Made in Italy' label does not identify a particular workshop, and neither a missing label nor a familiar-looking form settles an object's origin. Specific maker attributions need supporting evidence, with uncertainty retained where the surviving record is incomplete.

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