Vladimir Tretchikoff, born in 1913, was a self-taught artist whose distinctive style captured the hearts of millions. His work, characterised by its vivid colours and dramatic themes, offers a visual feast that continues to captivate audiences worldwide. Despite facing criticism, he remained committed to his vision, creating art for the people.

Tretchikoff's work in his 'Women of the World' series would likely be his most recognisable work.

This collection is a testament to Tretchikoff’s deep respect and fascination for the diverse cultures of the places he visited. It presents captivating female portraits from around the world, their strength and grace masterfully portrayed. Through his distinctive use of colour and form, Tretchikoff immortalises these women in all their multifaceted beauty. Whether they are depicted in traditional attire or modern dress, each woman radiates a unique charm that transcends geographical boundaries.

Source, Tretchikoff's official site, which you can access here.

THIS LISTING

Print Lady of Ndebele

Original Painting Date 1952
Print and Frame Date 1960s

Dimensions 60cm tall, 70cm (27.5") wide

Condition Great to excellent vintage condition. The print colours are bright and strong with no real fading that we can see. The frame shows some very light surface wear, commensurate with age. We have taken apart the piece, cleaned it internally and resealed the piece using new framer's backing tape. Additionally, this piece came to us without glass, so we have added a new perspex cover to help preserve the original print.

(please excuse the reflections in the perspex from the photography)

More about the Lady of Ndebele:

The South African tribe were originally related to the Zulus and their history can be traced back to the late 1500s. The tribe is now divided into two distinct sections, being the Manala, who live to the North of modern day Pretoria, and the Ndzundza, who live to the East and South.

Although eventually the tribe suffered a massive defeat in the mid 1880's in a war against the Boers, they still retain their cultural identity and unity.

Ndebele women traditionally adorn themselves with a variety of ornaments, each symbolising her status in society and, in this painting, Tretchikoff captured the beauty and power of a tribal lady in his adopted country.